This book analyzes how contemporary visual art can visualize environmental crisis. It draws on Karen Barad’s method of “agential realism,” which understands disparate factors as working together and “entangled.”
Through an analysis of digital eco art, the book shows how the entwining of new materialist and decolonized approaches accounts for the nonhuman factors shaping ecological crises while understanding that a purely object-driven approach misses the histories of human inequality and subjugation encoded in the environment.
The resulting synthesis is what the author terms a border ecology, an approach to eco art from its margins, gaps, and liminal zones, deliberately evoking the idea of an ecotone. This book is suitable for scholarly audiences within art history, criticism and practice, but also across disciplines such as the environmental humanities, media studies, border studies and literary eco-criticism.
About the author
Ila Sheren is an associate professor of art history and archaeology in Arts & Sciences at Washington University in St. Louis, where she teaches courses in new media, activist art, and alternative art practices, as well as surveys of modern and contemporary art. Her research focuses on questions of borders and decolonial theory, whether in the case of the U.S. frontera, environmental crisis in the Global South, or the performative nature of political protest.