Gene Hoefel, professor emeritus at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, died peacefully in his sleep at the Anthology of Clayton View assisted living facility on Dec. 28, 2020. He was 86.
A van gleams darkly in the seedy neon of 1970s Times Square. Taxis queue for gas amidst a global oil crisis. In “The Autonomous Future of Mobility,” the Mildred Lane Kemper Art Museum at Washington University in St. Louis explores how car culture shapes American cities, energy consumption and popular notions of freedom and independence.
In a new solo exhibition at the Contemporary Art Museum of St. Louis, alumna Ebony G. Patterson explores beauty, tragedy and what lies beneath it all.
Dmitri Jackson, BFA ’08, draws the award-winning comic Blackwax Boulevard for music nerds — and everyone else, too.
In this video, artist Tim Portlock, chair of undergraduate art at the Sam Fox School, discusses his use of visual effects and 3D animation software, his new exhibition at the Contemporary Art Museum St. Louis and the state of the American dream.
Penina Acayo Laker, assistant professor of communication design, discusses the Sam Fox School’s new interdisciplinary minor in creative practice for social change.
De Nichols has been working at the intersection of art and social justice since she was a student at Washington University. Now, after completing her Loeb Fellowship at Harvard University, she’s working on her first book and helping St. Louis’ Griot Museum of Black History.
John Whitaker, a master’s candidate in landscape architecture and advanced architectural design, has won an Award of Excellence from the American Society of Landscape Architects.
Photographer Jess T. Dugan will serve as the 2020-21 Henry L. and Natalie E. Freund Teaching Fellow at Washington University in St. Louis. The fellowship, which is jointly sponsored by the Saint Louis Art Museum and the university’s Sam Fox School of Design & Visual Arts, is designed to promote the creation and exhibition of contemporary art as well as the teaching of contemporary art principles.
“Amnesia is not the right word,” said Geoff K. Ward, “because we’ve forgotten without ever really knowing.” In “Truths and Reckonings,” the show he curated for Washington University’s Kemper Art Museum, Ward confronts histories of racist violence with the aim of untangling their continuing legacies.