The tomb of a Maya ruler excavated this summer at the Classic Maya city of Waka in northern Guatemala is the oldest royal tomb yet to be discovered at the site, the Ministry of Culture and Sports of Guatemala has announced.
In “Grieve,” Sagar Brahmbhatt depicts bereavement as a kind of delayed reaction — a time bomb that never really stops exploding. Evan Gates’ “Floor is Lava?” is a slyly pointed examination of adult responsibility. Later this month, both films, created entirely by Washington University students, will be screened as part of the 2017 Cannes Film Festival.
In her Hotchner-winning drama “Son of Soil,” which debuts March 30, senior Andie Berry examines the ways tragedy and grief echo across generations.
Filmmaker Ericka Beckman (BFA ’74) and visual artist Ian Weaver (MFA ’08) are recipients of the inaugural Stone & DeGuire Contemporary Art Award.
While President Trump’s proposed $970 million budget cuts in the arts and humanities account for less than one-tenth of a percent of savings in the administration’s $1.1 trillion federal budget plan, the effect could gut culture and diminish quality of life across the United States if not the world, say experts at Washington University in St. Louis.
Pedro Pitarch has won the 2016-17 James Harrison Steedman Memorial Fellowship in Architecture. The $50,000 grant, which supports international travel for research, is one of the largest such architecture awards in the United States. Pitarch, who was chosen from a field of 100 applicants, will use the grant to explore the intersection of public and private spaces in cities across Europe, Asia and the United States.
“Higher Ground: Honoring Washington Park Cemetery, Its People and Place” will open March 3 at the Sheldon Art Galleries. The exhibition includes works by artists Jennifer Colten, Denise Ward-Brown and Dail Chambers. All three will discuss their projects during a gallery talk April 7 and in a panel discussion at the Missouri History Museum May 24, among other events.
Todd Decker on Oscar favorite “La La Land,” and why Ryan Gosling is no Fred Astaire.
Chicago-based artists Amanda Williams and Andres L. Hernandez, winners of the PXSTL competition, will discuss the project in a public lecture March 8. The free talk will launch the Sam Fox School’s spring Public Lecture Series.
Despite controversy, film ‘advances representations of slavery,’ says scholar Sowande’ M. Mustakeem.