A kiss. A punch. A body braced for impact. The paintings of Rosalyn Drexler exude uncanny stillness, anticipation and, frequently, the dread of imminent violence. This spring the Mildred Lane Kemper Art Museum at Washington University in St. Louis will present “Rosalyn Drexler: Who Does She Think She Is?,” the first full-career retrospective for the multitalented artist.
With “Here Be Dragons,” his new exhibition at the Jonathan Ferrara Gallery in New Orleans, Sam Fox School dean Carmon Colangelo examines the limits of knowledge and the precarious social and political states that define our contemporary moment.
Long before the 2016 presidential campaign, millions of Americans watched Donald Trump play the successful businessman on NBC’s hit reality show “The Apprentice.” Both the exposure and the experience served him well, said Richard Chapman, senior lecturer in film & media studies in Arts & Sciences.
Cakes typically evoke birthday parties and celebrations. But a recent project by Ebony G. Patterson — a 2006 alumna of the Sam Fox School of Design & Visual Arts — transformed the idea of the cake into something entirely more serious.
South Central Los Angeles, 1976. The lawns are manicured, the palm trees sway, the savings bonds are tucked optimistically away. But the Youth is restless. In “Passing Strange,” the singer and playwright Stew offers a semi-autobiographical account of his journey to artistic self-discovery. The Performing Arts Department will present the Tony Award-winning rock musical Oct. 21-30 in Edison Theatre.
Thousands of photographers, videographers and writers will descend on Washington University in St. Louis Oct. 9 to cover the presidential debate. But in mid-20th-century America, another sort of journalist was part of the media mix — the illustrator. The Douglas B. Dowd Modern Graphic History Library features hundreds of images of politicians, the electoral process and American voters.
For all the advances of modern medicine, health-care architecture has long been guided by custom and intuition rather than research and testing. That’s changing, thanks to an emerging field known as evidence-based design, said Xiaobo Quan, director of Washington University’s newly formed Center for Health Research & Design.
A collection is not a static thing, a project to be finished. A collection lives and breathes and evolves over time. This fall, the Mildred Lane Kemper Art Museum — one of the oldest university museums in the nation — will mark the 10th anniversary of its Fumihiko Maki-designed facility with an ambitious, building-wide installation. “Real / Radical / Psychological: The Collection on Display” steps back from a decade of thematic presentations and, for the first time, presents the esteemed permanent collection in chronological fashion.
The paintings of Adam Turl climb the walls like a rocket hitting exit velocity – an image slyly reinforced by the telescope installed at their base. Collectively titled “Red Mars,” the group of 10 canvases is currently on view in the Mildred Lane Kemper Art Museum as part of the Sam Fox School’s annual MFA Thesis show.
